{"id":770,"date":"2019-07-03T00:17:36","date_gmt":"2019-07-02T23:17:36","guid":{"rendered":"http:\/\/perpetualemotionmachine.com\/?p=770"},"modified":"2024-11-14T20:57:50","modified_gmt":"2024-11-14T20:57:50","slug":"glory","status":"publish","type":"page","link":"https:\/\/perpetualemotionmachine.com\/index.php\/glory\/","title":{"rendered":"Glory"},"content":{"rendered":"\n
Fob 24<\/div>\n\n\n\n

PERPETUAL EMOTION MACHINE<\/a><\/h4>\n\n\n\n

2007<\/h4>\n\n\n\n
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Glory <\/strong>became a remix album\/EP but began as an attempt at a second album. I was struggling with new material and this the reason behind the change.<\/p>\n\n\n\n

The album starts off quite dark, gets a little aggressive and then settles down to just a driving beat at the end. Among the standout tracks on this are\u00a0Bringr<\/a>, a rare drum and bass outing, and\u00a0See<\/a>, which was co-written with keyboardist\u00a0Archie McDonald<\/strong>, and features his playing throughout. \\<\/p>\n\n\n\n

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Also not to be missed is Port Moody<\/a>, an instrumental electro piece that was originally slated for a single — the withdrawn WOOF 9 — and whose remixes appear later in the PEM catalog.\u00a0<\/p>\n\n\n\n

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Listen <\/h3>\n\n\n