{"id":1103,"date":"2019-10-11T05:19:55","date_gmt":"2019-10-11T04:19:55","guid":{"rendered":"http:\/\/perpetualemotionmachine.com\/?page_id=1103"},"modified":"2025-01-16T15:23:38","modified_gmt":"2025-01-16T15:23:38","slug":"the-remixes","status":"publish","type":"page","link":"https:\/\/perpetualemotionmachine.com\/index.php\/the-remixes\/","title":{"rendered":"The Remixes"},"content":{"rendered":"\n

I have amassed quite a collection of tribute remixes, many of which were posted to SoundCloud and YouTube. Most <\/em>of them haven’t been taken down. Most of these were done under the pseudonym Earl Three <\/strong>(anagram of EtherReal<\/strong>), but some I did under my standard name.<\/p>\n\n\n\n

When I do remixes, I channel the sensibilities of only the masters, and those who respect the music they are entrusted to. I like to keep as much of the feel and original structure of the original as possible. You should feel like you are getting the whole song when you listen to one of my remixes and not a bastardization (ie, I didn’t just slap a beat over top of it.) That is why I call them Tribute mixes.<\/p>\n\n\n\n

Below, you will find a complete list<\/p>\n\n\n\n

TruStyle Mixes<\/h2>\n\n\n\n

The TruStyle set of mixes I am quite proud of. For these, I have taken original multitrack of a song and used only those elements to create a remix. I allow myself the opportunity to elongate, edit or interweave any elements of the multitrack to create a mix, but I don’t add anything extra in terms of instrumention. If I use effects, they can only be effects that would have available or appropriate for the time when the record was released.<\/p>\n\n\n\n

I have used the TruStyle format to create remixes of songs which never had 12″ versions and also songs which had 12″ version which I didn’t like.<\/p>\n\n\n\n

Frankie Goes To Hollywood<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Relax<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Billy Idol<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Rebel Yell<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Talking Heads<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Burning Down The House<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
The Police<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Every Breath You Take<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
The Human League<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Don’t You Want Me<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Yes<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Owner Of A Lonely Heart<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Grace Jones<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Slave To The Rhythm<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
New Order<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Blue Monday\/The Beach<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Pet Shop Boys<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Heart<\/a><\/h4>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

The Dictator Decides<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n

Other Mixes<\/h2>\n\n\n\n

Michael Jackson<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Smooth Criminal<\/a><\/h4>\n\n\n\n
<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

You Rock My World<\/a><\/h4>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

They Don’t Care About Us<\/a><\/h4>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
Tears For Fears<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Shout<\/a><\/h4>\n\n\n\n
<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Everybody Wants To Rule The World<\/a><\/h4>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

Head Over Heels<\/a><\/h4>\n\n\n\n
<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Pale Shelter<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
Linkin Park<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Breaking The Habit<\/a><\/h4>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n

In The End<\/a><\/h4>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
Inxs<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Need You Tonight<\/a><\/h4>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Pet Shop Boys<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Numb<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
Perpetual Emotion Machine vs. The Art Of Noise<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Beat Box (Diversions and Perversions)<\/a><\/h4>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n

Christmas Remixes<\/a><\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n

Older EtherReal Mixes<\/h2>\n\n\n\n

The Art Of Noise<\/h5>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n\n\n\n

Abduction Of The Art Of Noise<\/a><\/h4>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

I have amassed quite a collection of tribute remixes, many of which were posted to SoundCloud and YouTube. Most of them haven’t been taken down. Most of these were done under the pseudonym Earl Three (anagram of EtherReal), but some I did under my standard name. When I do remixes, I channel the sensibilities of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"page_artists":[],"page_page-category":[],"page_page-tag":[],"page_track":[],"page_work":[],"wf_page_folders":[79],"class_list":["post-1103","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/pages\/1103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/comments?post=1103"}],"version-history":[{"count":48,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/pages\/1103\/revisions"}],"predecessor-version":[{"id":5165,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/pages\/1103\/revisions\/5165"}],"wp:attachment":[{"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/media?parent=1103"}],"wp:term":[{"taxonomy":"page_artists","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/page_artists?post=1103"},{"taxonomy":"page_page-category","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/page_page-category?post=1103"},{"taxonomy":"page_page-tag","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/page_page-tag?post=1103"},{"taxonomy":"page_track","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/page_track?post=1103"},{"taxonomy":"page_work","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/page_work?post=1103"},{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/perpetualemotionmachine.com\/index.php\/wp-json\/wp\/v2\/wf_page_folders?post=1103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}